Can’t remeber the set subjects this season? Here’s a quick shortcut.
Mark Pain Sports Photography
From the moment our guest speaker played the opening Av style Photography (Images set to music) showing amazing sports shots, we knew were we in for a treat of an evening.
Mark Pain multi award winning photographer joined us on Zoom last week to give a presentation on sports photography.
Mark shared his vast experience in the Industry having been Chief sports photographer for the Mail on Sunday for over 20 years and winner of many awards including Olympic photographer of the year 2012 and SJA sports photographer of the year 2013.
The much travelled photographer shared detail on how some of his amazing Images, ranging from professional golf, formula one racing and premiership football were achieved, often in difficult circumstances, dealing with Inclement weather and physical locations. In addition to giving great tips on equipment and how to best tackle sports photography.
In the second half of the evening Mark focused on the 2012 Olympics, where once again he Impressed with outstanding shots of many events and competitors and explained a lot of the thinking behind obtaining such fantastic images.
He has a great delivery style and encouraged questions throughout the evening always happy to share his knowledge. It was a very Inspiring and enjoyable evening which had everyone fully engaged with this outstanding prestigious photographer.
Our new season has got off to a great start, which so far has Included two superb talks/presentations.
Movement and Texture
Despite these difficult times happening in the world, it’s great that our camera club is still flourishing and adapting as best we can to the new normality.
Communication is so Important in all our lives and we continually try to embrace this principle in our activities, through our weekly online meetings, with its varied programme.
We have also Increased our recent external activities, with club members organising small group gatherings within Government guidelines. David Eckland has recently organised a London photography walk and Gordon Calder a painting with light Workshop in his home studio, all of which has been very welcomed by club members. In addition Ant (Anthony Highet) has continued to successfully run his model portraiture sessions.
The club has also enhanced its ‘what’s app’ group and is encouraging further communications between weekly meetings to keep in touch. All of this helps us combat these uncertain times and is there for all club members to enjoy.
Last week was our 2nd PDI league competition with 2 set subjects ‘Movement’ and ‘Textures’. A tremendous response of entries with 78 in total. The judge for the evening was Alan Taberer who had the difficult task of sorting the excellent Images and ultimately choosing the higher scoring Images.
There were some great Interpretations of both set subjects, the higher scorers are featured in the clubs website gallery. Thank you to all that entered the competition, giving us all a very enjoyable evening.
Audio Visual Night
One of the many great things about being in Croxley camera club is the opportunity to express your own photography Interests with other like minded members. We have many talented members who are happy to share their experiences and often Inspire others to try different techniques or style of Images. Everything we do is naturally under the ‘umbrella of art’.
Last week for our online meeting, we had a video/ AV evening where members were Invited to share with others, either a video or audio visual presentation on any subject and with suitable accompanying music. We had 17 entries which made for a very entertaining evening, with some really considered content and great music.
Once again the commitment to Inspire others with the the creative thoughts of subject matter and choice of music, was evident by the quality offered from all. We were treated to some excellent photography, expressing the story the authors had to tell with the really well chosen and meaningful music.
Thank you to everyone that attended the evening and a special thanks to those who entered material to be shown, it really was appreciated by all. Special thanks also to George who organised the showing of the videos and smoothly controlled the technical aspects.
Long serving committee and honorary member Cat Humphries gives us the final instalment of her four part series of her photographic relationship with Pentax & Nikon. Enjoy!
A Back Garden Busk and Decision Time
Lazy Sunday afternoon, there’s no time to worry… I’m sure there’s a song there but the Back Garden Busk crew were more keen on showtunes!
I had a fine afternoon in Chorleywood to compare the Nikon D7500 and a Sigma 70-200mm 2.8 with my trusty Pentax K-5II and a Tamron 70-200mm 2.8. I’d photographed an almost identical socially-distant event two weeks previously so it was ideal to compare how well the two set-ups worked.
Being able to set a minimum shutter speed while in Aperture mode was fantastic compared to Pentax’s Aperture+Time setting. This helped me avoid over-exposing the highlights as the lighting changed and ensured that I was always shooting fast enough to avoid camera shake or blurring movement.
Within minutes I wasn’t thinking about the controls on the Nikon – I was completely in the moment and able to change aperture quickly as the action developed. Although the Pentax has two control dials, the same as the Nikon, the rear control dial is nearer to where you rest your thumb so it’s too easy to change the setting accidentally. I was very pleased with the layout of the dials of the Nikon and felt like I was in control at all times.
The fact that the camera worked like a dream was nothing compared to how I felt when I saw the images in Lightroom. I’d grown used to adding a lot of sharpness to the RAW images from the Pentax – their shallow-focus vintage quality becoming my signature style. The sharpness of the Nikon images was a revelation! So crisp in the focus points, so dreamily soft in the background. Much less forgiving than the Pentax, but satisfying when you got the focus spot-on.
This was it, seeing the images from the day I made my decision to switch to Nikon for my theatre work. I accepted the trade-in quote and boxed up my beloved Pentax gear ready to go.
I must admit, I was quite sad packing up the Pentax kit. It had served me well over the years but as much as it felt like I’d been cheating on it for a younger model, I knew that it would be the right decision. With Pentax heading further out of favour, I would trade-in before it became worthless. And besides, a box full of lenses and a second-hand D7200 is on the way. No turning back now!
There will always be a place in my heart for my Pentax DSLRs… and a place on my shelf for my Pentax MX. Might need to buy another roll of film to go in it. Once a Pentaxian, always a Pentaxian.
First Competition of the Season!
This week I was reminded we had held 24 online meetings since the Coronavirus came into our lives, causing the lockdown and subsequent loss of our meeting hall for obvious safety reasons.
Thanks to the ‘zoom’ facility we have met every week since March, completing the season, running through the normal summer break and here we are just a few weeks into our new season.
Ironically the last meeting in March held at the community centre was a competition night judged by Martin Patten, who was also our Judge for the first competition of our new season this week.
The competition was an ‘open’ PDI and as always was a closely fought event, with many excellent Images contesting for the highest league points.
Our judge for the evening was also at our ‘Zoom’ online meeting and gave ‘live critique accompanied by constructive comments and tips regarding the entered Images, as he distributed the points and nominated the highest scorers.
An enjoyable night, enabling the membership to enjoy the diverse collection of Images that an ‘open’ competition brings.
Thank you to all that entered the competition, which as always is a great way to measure your own Individual progress during the season with your creative work.
Long serving committee and honorary member Cat Humphries gives us the third instalment of her four part series of her photographic relationship with
Pentax Nikon. Enjoy!
First Impressions and Testing Times
Bump! That was me falling back down to earth. The dreams of a Nikon set-up had carried me away, but the cost involved in making the switch soon made me come tumbling down.
One of the things that attracted me to Pentax was the sheer number of lenses available, and the reasonable cost of second-hand gear. Yes, I know the pre-loved kit was because no-one wanted them, but like my two rescue pups, I can’t bear to see things being abandoned.
I’ve been a bit of a magpie when it comes to Pentax gear. My other half always says that you need to use the right tool for the job so over the years I’ve collected many different lenses. The good news at the time was that all of them were bought for a “reasonable” price but now that means that I shouldn’t get my hopes up that they’re worth much.
A quick email to Wex’s trade in department should give me an idea on how much budget I would have. That’ll enable me to make a measured decision on what to do next…
5 minutes later.
… OMG what have I done? Ebay, why did you taunt me so? What happened to self control????
1 day later.
I appear to have in my hands a reconditioned D7500. How did that happen? Things are too easy to buy these days. At least I can return it within 30 days – no quibbles.
1 minute later.
What use is a camera body without a lens? Time to call in reinforcements!
The next day – a sunny Saturday.
Get up early to give the D7500 a test run before breakfast (too excited to lie in!). First impressions; not too heavy, fits well in my hand, dials in all the right places, menus look easy to navigate. Oooooo with this tilting touchscreen you are really spoiling us. Stop it Catherine, don’t let it distract you with it’s fancy new-fangled ways! This is about the images, not its attractiveness. Time to get a lens on it, courtesy of Mr Highet and his Sigma 70-200mmm 2.8 … Hang on, it’s all the wrong way round! It’s like a left-hand-drive car. Feels weird. I’m sure I’ll get used to it eventually?
How does it compare to the old K5II with my Tamron 70-200 2.8 (affectionately known as the big b****er) on it? Not bad. It’s actually very similar in size with the Sigma being a bit heavier than the Tamron, increasing the overall weight by about 200g.
Let’s pop out to the garden for a quick snap before breakfast. Very speedy auto-focus, lovely big screen to check the images on, good sharpness and rich colours. What do you expect outdoors in sunshine with a good bit of glass on it? How about indoors and a black-&-white dog? That’ll test it.
What this needs is a ropey el-cheapo lens… thank you Mr Amazon! Bring on the Tamron 70-300mm Macro, with no HSM, no stabilization and a snail-like F4-5.6. That’s more like it!
Back outdoors and ewwwww the focus is so slow! No chance of catching birds or jets with this one, no matter how much the D7500 tries to catch-up with its 3D tracking. Looks rather soft too but let’s see what Lightroom does with them.
That was quick! Schoolboy error, the Nikon was just in Jpeg mode… must fix that!
Very pleased with the metering on the Nikon. It coped with my dog Kobe’s black and white fur amazingly well, something that the Pentax always struggled with. The Tamron was surprisingly sharp – at f10 at least – but disappointingly soft on the macro shots I tried. This lens will be going back where it came from pronto.
The yellow petals on the sunflower can be tricky to expose too and the Nikon’s done a good job. Comparing the colours on the Tamron and Sigma there is a noticeable difference.
I now have more photos than I will ever need of my neighbours TV aerials, as I tested the focussing speed on far-away objects. Blimey, they’re sharp!
I’m getting to like this Nikon lark. What I need is a socially distant informal gathering to test the D7500 and Sigma lens combination, so I can compare it to an almost identical socially distant informal gathering I photographed but two weeks prior to today…
Next time: A Back Garden Busk and Decision Time
Cat, Ant and Gordon images went down well at the recent Croxley Green Show. Congratulations to each of them!
Dear Exhibitors and Friends of The Croxley Green Show,
PHOTOGRAPHY COMPETITION 2020
We are delighted to have been able to hold the Photography Competition remotely this year, results and winning photos per class attached.
Thank you to all exhibitors, 17 in total and 67 photos entered.
A big big thank you to our Photography judge who was so thorough in his judging. He wrote copious notes for the exhibitors with praise and advice. I will be sending the exhibitors his comments shortly.
The Mealor Cup goes to Cat Humphries with a cumulative total of 15 points (3 for a First, 2 for a Second, and 1 for a Third). The quality of her photography across all the classes is extraordinary. She achieved 2 Firsts, 4 Seconds, 1 Third and 1 Commended, amazing!
In Second place is Julie Tollit with 6 points
In Joint Second, Steve Rogers and John Jowers with 5 points.
There were 2 Joint Best in Photography medals awarded to Anthony Highet for his Human Relationships photo and to John Jowers for his Group Scene Photo
We aim to post the winning photos on the website soon.
Once the cup and medals are engraved we will drop them off to you. The cup needs to be returned before The Spring Show (we will collect it). The medals are yours to keep.
On behalf of the Show Committee, thank you to all of you for supporting The Show.
With best wishes,
John Jowers (Show Secretary)
Long serving committee and honorary member Cat Humphries gives us the second instalment of her four part series of her photographic relationship with Pentax. Enjoy!
Finding a New Way: From Pentax to What?
You’ve had “the talk” and explained how you feel. It’s sad, after all your relationship has been going for several decades, but you know inside that it’s the right decision. Then you find yourself thinking “where next?”. How do you fill the void that has been left behind and start to move on with your life?
I was so committed to Pentax that I hadn’t looked at any other camera manufacturers specifications for a while. A round of speed dating was in order!
Over the years I’ve learnt that I need a camera that’s light and intuitive to use, flexible enough to accompany me on adventures “up hill and down dale” and has enough lenses to keep my genre-crossing creativity engaged. My theatre photography means it needs to be reliable, quick to turn on with fast responses and very good in low-light situations. I also need two bodies, each with a f2.8 lens, so there needs to be a good second-hand price point too.
Mirrorless? Too soon! I may be ready to move on from Pentax but mirrorless is a whole new ball game. Let’s start with little steps shall we? So a DSLR it is. Preferably with a crop sensor to achieve the reach I need with a 200mm lens.
Olympus: Like the bearded hipster in a vegan coffee shop (in a hand-knitted jumper, obviously!), I can see the vintage appeal but four-thirds format is an acquired taste. Small in stature and good for an enjoyable weekend away. Not the serious commitment I’m after.
Sony: Fond of urban exploration and around-the-world trips, this new kid on the block is a bit of a force of nature. It has expensive tastes (you can tell by the designer glasses) but it’s high-quality has seen it grown in popularity over the years so more third party lenses are on the market. Not sure I could keep up with this one, particularly with the expense of needing two bodies.
Canon: Reliable and dependable, this is the one you know will produce good results, a sensible choice. I’ve got friends who have very fulfilling lives with Canon, but as much as I try, we just don’t have that spark and I soon get frustrated with them. I have a history of unfulfilling flings with Canon compact cameras so I don’t think this is the one for me.
Nikon: I’ve always had a soft spot for Nikon with fond memories of my first compact camera. We spent a few years together and went on many adventures, exploring museums, long weekends in the peak district, getting sunburn in March in mid-Wales. I never should have let that one go… Sorry, I drifted off there for a moment! Maybe a Nikon is the way forward.
Let’s examine the specs…
The D7200 and more-recent D7500 look like they would fit the bill. Agile enough for theatre, wildlife and sports. Reliable. Creative in their compatible lenses and open to bringing different lighting options into the relationship. We may be onto a winner but don’t get too excited, we haven’t looked at prices yet – they may be above your price range and you don’t want to commit too soon. Why don’t you have a think and then take a closer look, after all, you wouldn’t want to give up your trusty Pentax unless you were sure.
Next Time: First Impressions and Testing Times.
The Zoom recording of James Kerwin’s talk on Abandoned Architecture is now available in the Members Only area